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	<h2>Project DocTalk Web client demonstration</h2>
	<h3>Tabbed Patient index<h3>
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		<ul>
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					<div class="on" title="MainPage"><span>Main page</span></div>
					<div class="off" title="Survey"><span>Daily Survey</span></div>
					<div class="off" title="DocTalks"><span>Doctalks</span></div>
					<div class="off" title="Statistics"><span>Statistics</span></div>
					<div class="off" title="PatientInfo"><span>Patient info</span></div>
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				<div id="MainPage" class="show">
					<p>Lorem ipsum dolor sit amet, consectetur adipisicing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.</p>
					<img src="tabbed_pages/constable.jpg" alt="The Hay Wain" title="The Hay Wain" />
					<p>Software distributors use executable compression for a variety of reasons, primarily to reduce the secondary storage requirements of their software; as executable compressors are specifically designed to compress executable code, they often achieve better compression ratio than standard data compression facilities such as gzip, zip or bzip2[citation needed]. This allows software distributors to stay within the constraints of their chosen distribution media (such as CD-ROM, DVD-ROM, or Floppy disk), or to reduce the time and bandwidth customers require to access software distributed via the Internet.

					<p>Executable compression is also frequently used to deter reverse engineering or to obfuscate the contents of the executable (for example, to hide the presence of malware from antivirus scanners) by proprietary methods of compression and/or added encryption. Executable compression can be used to prevent direct disassembly, mask string literals and modify signatures. Although this does not eliminate the chance of reverse engineering, it can make the process more costly.</p>

					<p>A compressed executable requires less storage space in the file system, thus less time to transfer data from the file system into memory. On the other hand, it requires some time to decompress the data before execution begins. However, the speed of various storage media has not kept up with average processor speeds, so the storage is very often the bottleneck. Thus the compressed executable will load faster on most common systems. On modern desktop computers, this is rarely noticeable unless the executable is unusually big, so loading speed is not a primary reason for or against compressing an executable.</p>

					<p>On operating systems which read executable images on demand from the disk (see virtual memory), compressed executables make this process less efficient. The decompressor stub allocates a block of memory to hold the decompressed data, which stays allocated as long as the executable stays loaded, whether it is used or not, competing for memory resources with other applications all along. If the operating system uses a swap file, the decompressed data has to be written to it to free up the memory instead of simply discarding unused data blocks and reloading them from the executable image if needed again. This is usually not noticeable, but it becomes a problem when an executable is loaded more than once at the same time—the operating system cannot reuse data blocks it has already loaded, the data has to be decompressed into a new memory block, and will be swapped out independently if not used. The additional storage and time requirements mean that it has to be weighed carefully whether to compress executables which are typically run more than once at the same time.</p>

					<p>Another disadvantage is that some utilities can no longer identify run-time library dependencies, as only the statically linked extractor stub is visible.</p>

					<p>Also, some older virus scanners simply report all compressed executables as viruses because the decompressor stubs share some characteristics with those. Most modern virus scanners can unpack several different executable compression layers to check the actual executable inside, but some popular anti-virus and anti-malware scanners have had troubles with false alarms on compressed executables.<p>

					<p>Executable compression used to be more popular when computers were limited to the storage capacity of floppy disks and small hard drives; it allowed the computer to store more software in the same amount of space, without the inconvenience of having to manually unpack an archive file every time the user wanted to use the software. However, executable compression has become less popular because of increased storage capacity on computers.</p>
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					<p>This is a citation or other footnotish material</p>

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				<div id="Survey" class="hide">
					<p>His youth was spent in Le Havre, where he first excelled as a caricaturist but was then converted to landscape painting by his early mentor <a href="http://www.ibiblio.org/wm/paint/auth/boudin/">Boudin</a>, from whom he derived his firm predilection for painting out of doors.</p>
					<img src="tabbed_pages/monet.jpg" alt="Women in the Garden" title="Women in the Garden" />
					<p>In 1859 he studied in Paris at the Atelier Suisse and formed a friendship with <a href="http://www.ibiblio.org/wm/paint/auth/pissarro/">Pissarro</a>. After two years' military service in Algiers, he returned to Le Havre and met <a href="http://www.ibiblio.org/wm/paint/auth/jongkind/">Jongkind</a>, to whom he said he owed `the definitive education of my eye'.</p>
					<p>He then, in 1862, entered the studio of Gleyre in Paris and there met Renoir, Sisley, and Bazille, with whom he was to form the nucleus of the Impressionist group.</p> 
					<p>Monet's devotion to painting out of doors is illustrated by the famous story concerning one of his most ambitious early works, Women in the Garden (Mus&#233;e d'Orsay, Paris; 1866-67). The picture is about 2.5 meters high and to enable him to paint all of it outside he had a trench dug in the garden so that the canvas could be raised or lowered by pulleys to the height he required.</p>
					<p><a href="http://www.ibiblio.org/wm/paint/auth/courbet/">Courbet</a> visited him when he was working on it and said Monet would not paint even the leaves in the background unless the lighting conditions were exactly right.</p>
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					<p>This text is an excerpt from <a href="http://www.ibiblio.org/wm/paint/auth/monet/">The&nbsp;WebMuseum,&nbsp;Paris</a></p>
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				<div id="DocTalks" class="hide">
					<p>Gogh, Vincent (Willem) van (b. March 30, 1853, Zundert, Neth.--d. July 29, 1890, Auvers-sur-Oise, near Paris), generally considered the greatest Dutch painter and draughtsman after <a href="http://www.ibiblio.org/wm/paint/auth/rembrandt/">Rembrandt</a>.</p>
					<img src="tabbed_pages/vincent.jpg" alt="The Starry Night" title="The Starry Night" />
					<p>With <a href="http://www.ibiblio.org/wm/paint/auth/cezanne/">C&#233;zanne</a> and <a href="http://www.ibiblio.org/wm/paint/auth/gauguin/">Gauguin</a> the greatest of Post-Impressionist artists. He powerfully influenced the current of <a href="http://www.ibiblio.org/wm/paint/glo/expressionism/">Expressionism</a> in modern art. His work, all of it produced during a period of only 10 years, hauntingly conveys through its striking colour, coarse brushwork, and contoured forms the anguish of a mental illness that eventually resulted in suicide. Among his masterpieces are numerous self-portraits and the well-known <a href="http://www.ibiblio.org/wm/paint/auth/gogh/starry-night/">The&nbsp;Starry&nbsp;Night</a> (1889).</p>	
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					<p>This text is an excerpt from <a href="http://www.ibiblio.org/wm/paint/auth/gogh/">The&nbsp;WebMuseum,&nbsp;Paris</a></p>
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				<div id="Statistics" class="hide">
					<img src="tabbed_pages/chagall.jpg" alt="Adam and Eve" title="Adam and Eve" />
					<p>Russian-born French painter. Born to a humble Jewish family in the ghetto of a large town in White Russia, Chagall passed a childhood steeped in Hasidic culture.</p>
					<p>Very early in life he was encouraged by his mother to follow his vocation and she managed to get him into a St Petersburg art school. Returning to Vitebsk, he became engaged to Bella Rosenfeld (whom he married twelve years later), then, in 1910, set off for Paris, 'the Mecca of art'.</p>
					<p>He was a tenant at La Ruche, where he had Modigliani and Soutine for neighbours. His Slav Expressionism was tinged with the influence of <a href="http://www.artchive.com/artchive/D/daumier.html">Daumier</a>, Jean-Fran&#231;ois Millet, the Nabis and the Fauves.</p>
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					<p>He was also influenced by <a href="http://www.artchive.com/artchive/cubism.html">Cubism</a>. Essentially a colourist, Chagall was interested in the Simultaneist vision of Robert Delaunay and the Luminists of the Section d'Or.</p>
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				<div id="PatientInfo" class="hide">	
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								When was your last bowel movement:
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								<input type="text" name="bowel" /><br />
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								When did you last eat breakfast:
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								Look, we can do radio buttons too!
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								<input type="radio" name="bowel" value="1"/>Button #1<br />
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								<p>&nbsp </p>
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								<input type="radio" name="bowel" value="2"/>Button #2<br />
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								<p>&nbsp </p>
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								<input type="radio" name="bowel" value="3"/>Button #3<br />
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				  <input type="submit" value="Submit" />
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